A marathon it’s been, the best kind – three books in quick succession, by three distinct authors, and connected by one unbroken muscular thread – The People, as they have always called themselves – and their existence from time primeval.
First in the “series,” entirely by happy chance, was MAUD’S LINE, written by Margaret Verble and published in 2015, the fictionalized story of a young Cherokee girl becoming a woman in 20th Century Oklahoma. Its contemporary portrayal of a time just past hooked itself into my imagination from – halleluiah, page one – and delivered me directly to book two.
Which – I assume you’re taking notes – was LAKOTA WOMAN, by Mary Crow Dog and Richard Erdoes, published in 1990, and not fictionalized at all. The author was active and instrumental in the Bureau of Land Management and American Indian Movements of the 1970s and 80s with Russell Means, Dennis Banks, so many others, and her gritty recounting of all the seemingly unrightable wrongs that have altered The People’s reality since the White Guys got here burned itself into my consciousness, not to put too fine a point on it.
So when both a friend and an esteemed nephew recommended Annie Proulx’s BARKSKINS within hours of each other it was clear that lil’ Ms. Serendipity had dropped in again and placed a shiny object in my path. Off the top, let me quickly address a few negative comments I’ve seen: that perhaps Ms. Proulx’s focus is…unevenly focused…that she hammers, that she commits “stylistic infelicities.” Yes, I caught all of that, recognized it, owned it and read on. The scope of the story is so expansive, so unexpectedly gripping, that the combined weight of all the odd little imperfections adds up to less than that of a feather – notable by virtue of existence, but in the end taking nothing from the whole.
Annie Proulx, author of THE SHIPPING NEWS, for which she won a Pulitzer in 1994; BROKEBACK MOUNTAIN, for which she won the prize called “We’re turning your book into a movie;” along with at least a baker’s dozen more titles, has at 80 years of age turned out an epic about trees, of all things, that kept me absorbed from first page to last. Aside from her colossally amazing book, I love that she’s even older than I am, has been described as “sassy,” and knows how to write like a mutha.
Annie takes us from 1693, starting with the French in what became Canada, to 2013 in what is still Canada – with side trips to London, New Zealand, what we now know as the continental United States, and points everywhere around the globe, the entire saga stemming from one family line and diverging throughout multiple others, from the French, to The People, to the Dutch, et.al. And the wonder is that she makes us care about the majority of those characters, even though we sense they are soon to be swept from the stage to make room for succeeding generations, each one more fascinating than the last.
I like big books and I cannot lie, and at more than 700 pages BARKSKINS was too short. Annie Proulx knows how to put us at the scene of the tale with a lovely economy of language; how to scatter engaging and/or redeeming characters into all parts of the story, avoiding what could have become a tedious litany; how to illuminate dilemmas that we would downplay if left on our own. If that shedding of light is “hammering,” we’re clearly in need of a butt-load more of it – the denuding of nearly all this planet’s original forests is but one ongoing dilemma of many.
BARKSKINS indelibly lays out the sins of the past and their consequences for all humanity while also serving up reasons for hope, that essential tool of survival. Hang onto it, you future humans, and may it save your hide since most of your forebears have never carried, nor do they (we) carry, their (our) fair share of responsibility for what your present might look like.
As William T. Vollmann wrote in his New York Times book review:
“Now our own world is likewise fading, thanks to climate change. The root cause of our self-impoverishment is thoughtfully teased out in BARKSKINS, whose best line may well be this: ‘My life has ever been dedicated to the removal of the forest for the good of men.'” – June 17, 2016
Playing for Time 
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